![]() Rubin knew that he wanted the centerpiece of the record to be a cover of Soundgarden’s “Rusty Cage,” but Cash couldn’t grasp the song. ![]() Unchained was the second of Cash’s American Recording series and his backing band consisted of Tom Petty and the Heartbreakers, the Red Hot Chili Peppers’ Flea, Mick Fleetwood, Lindsey Buckingham, and Stuart. ![]() In 1996, he came back to Cash’s side under the direction of producer Rick Rubin to record Unchained. On the first record he recorded with Cash, Rockabilly Blues, he was surrounded by Bob Wootton, Jack Clement, Billy Joe Shaver, Nick Lowe, and June Carter Cash - to name a few. There was life before that weekend and life after that weekend.”įrom 1980 to 1985, Stuart was in Johnny Cash’s band. Lester heard me play, he put me on stage, and he offered me a job by the end of the weekend. You can ride along if your mom and dad are okay with it.’ The opportunity came to do that and he owned up to it and I got invited to come to Nashville just to ride along for Labor Day weekend 1972. We swapped mandolin licks and phone numbers and he made the comment, ‘If you ever want to come to Nashville, give me a call and I’ll ask Lester. “One of his band members was Roland White. “During the summer of 1972, I met just about everybody on the bluegrass circuit, and one of those shows was with Lester Flatt,” he said. While touring with the Sullivans, Stuart found himself being recruited to join legendary bluegrass musicians Lester Flatt’s band. I could dress like I wanted to, stay up as late as I wanted, and I just knew that that was my life.” That was the summer I discovered girls and applause and meeting cool people to talk about music 24 hours a day. And he said, ‘Come on.’ I probably made $21 that summer, but I had more fun that I’d ever had in my life. So later on when school was out that year, I asked Carl to ask Brother Enoch if I could go on the road and play some shows with them. “Enoch always had an eye for kids that could play, so he invited me to come up onstage and play with them at the church. “The Sullivans were playing at this little church down from my house, and I asked Carl if he would ask Brother Enoch if I could get up onstage and play my mandolin with the Sullivan family,” Stuart said. ![]() Carl Jackson, a friend of Stuart’s from Lewisville, Mississippi, had begun playing with the Sullivans. The Sullivan Family Gospel Singers had a syndicated radio program in the South, and young Stuart could hear the group play in Philadelphia. “When I joined them, we were playing pentecostal churches, bluegrass festivals, camp meeting revivals, and George Wallace campaign rallies. “They were stars of the pentecostal church circuit,” Stuart said. In his first act, a 14-year-old Stuart started playing gospel music with the Sullivan Family Gospel Singers from St. It’s remarkable, really, to consider that some people only know him as a member of Johnny Cash’s band - but he’s also the guy who’s known for his ‘90s country radio successes and collaborations with Travis Tritt like “The Whiskey Ain’t Workin’.”īut those were the second and third acts. Marty Stuart isn’t yet 60, but the Philadelphia, Mississippi native has already had four distinct phases of a 45-year career.
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